Las óleos de todo Juan Martin Cabezalero
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ID |
Image |
Painting (From A to Z) |
Details |
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62360 |
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Assumption of the Virgin |
237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources |
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32940 |
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Assumption ofthe Virgin |
mk84
ca.165-70
Madrid,Prado,canvas
237x169cm
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52624 |
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Portrait of Queen Mariana de Austria |
1678 Oil on canvas, 206 x 123,5 cm |
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52626 |
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St James the Great in the Battle of Clavijo |
1660 Oil on canvas, 231 x 168 cm |
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| Juan Martin Cabezalero
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| 1633-1673
was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.
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